Thursday, 14 February 2013

Join us 14th March for Thrift Radiates Happiness

Thrift Radiates Happiness

Launch Thursday 14th March 2013 5-8pm
Open Friday 15th – Sunday 17th March 12-6pm

Municipal Bank Building, Broad Street, Birmingham, B1 2JS

www.thriftradiateshappiness.com
@TRH_Bham

Artists: Spartacus Chetwynd, Elly Clarke, Tom Crawford, Caitlin Griffiths, Ellie Harrison, Mecanoo, Sparrow+Castice, Julie Tsang, Nicole Wilson and Mary Yacoob.

Curated by Charlie Levine.




Thrift Radiates Happiness is the first contemporary arts exhibition to be held at the Municipal Bank in central Birmingham, UK.

One of Birmingham’s most historic landmark buildings is set to open its doors to the public for the first time in ten years when it plays host to a captivating four day contemporary arts exposition.

From 14-17 March 2013 the former Grade II listed Municipal Bank on Broad Street will showcase a creative programme of drawings, images, sound and light, video and music from local, national and international artists.

The title of the exhibition is Thrift Radiates Happiness. The line has been taken from an inscription found carved across a main beam within the building. All the art projects featured will appropriately focus on finance and investment.

The main foyer space will host a specifically commissioned sound piece by Elly Clarke, the offices off this central entrance will house pieces of work by Tom Crawford, Caitlin Griffiths, Ellie Harrison and Nicole Wilson, all of whom work with and present works based on commerce, current economical issues, up-cycling objects and investment.

For the second part of this exhibition audience members will be invited to 'invest' £2 for which they will be given a number to a safety deposit box, within which will be a limited edition print by one of the contributing artists. Their £2 investment immediately rising and resulting in an original piece of artwork made for the exhibition by artists and architects Spartacus Chetwynd, Mecanoo, Sparrow+Castice, Julie Tsang, Mary Yacoob and a piece from the Library of Birmingham archives.

The showcase event is the result of an arts and business collaboration between Birmingham based gallery TROVE, the Royal Institute of British Architects (RIBA), the Birmingham Architectural Association (BAA), Birmingham City Council and global architect practice Aedas.

Entrance to the exhibition is free thanks to funding awarded by The Arts Council, RIBA and Aedas.

For further information visit www.thriftradiateshappiness.com 

Monday, 11 February 2013

Thrift Radiates Happiness 2nd Press Release


You can own a Turner Prize Nominee, Spartacus Chetwynd, print for just £2!
and
Announcement of Library of Birmingham / Grain partnership.


Thrift Radiates Happiness
Arts Exposition
14-17 March 2013
Municipal Bank Building, Broad Street, Birmingham
www.thriftradiateshappiness.com


The Thrift Radiates Happiness team is delighted to announce two new artists to the event.

Firstly we are thrilled to announce that British artist Spartacus Chetwynd, a 2012 Turner prize nominee, will be one of our artists at the Thrift arts exposition opening next month (March), in Birmingham UK.

Chetwynd studied painting at the Royal College of Art 2004 and celebrates occasions in cultural history that exemplify extremist behaviour and belief. 

For the Birmingham exposition, Chetwynd has produced a limited edition print that, as part of the Investment Project, you can potentially own for only £2.00 investment. 
Other artists partaking in the Investment Project include Mecanoo (architects), Sparrow+Castice, Mary Yacoob and an original archive image from the Library of Birmingham.

Charlie Levine, curator at the TROVE gallery said that it was a great accolade to have attracted Chetwynd to perform at the THRIFT exposition. “This is not only an amazing opportunity to have access to an incredible and usual closed building, but also to invest just £2 and walk home with some incredible limited edition (of 100 each) prints from the architects of the new library to Turner Prize nominee, Spartacus Chetwynd.”

The second new artist announcement is emerging Birmingham photographer, Julie Tsang.  Commissioned in partnership by Charlie Levine and Grain, a new project that stems follows an award granted for £62,000 to support Reference Works: The Library of Birmingham Photography Project commission established in the city.

Tsang’s work will be available in the Investment Project as well as online in a digital catalogue of the show.  Tsang has been given a unique opportunity to photograph the building as it is now, empty and pre-exhibition.

The Thrift Radiates Happiness exposition is a showcase a creative programme of drawings, images, sound and light, video and music from local, national and international artists. Other artists involved in the exhibition include Elly Clarke, Tom Crawford, Caitlin Griffiths, Ellie Harrison and Nicole Wilson.

The Thrift Radiates Happiness title has been taken from an inscription found carved across a main beam within the building.  All the art projects featured will appropriately focus on finance and investment

Entry to the three day event, being held at the former Municipal Bank Building on Broad Street, Birmingham, is free. This is the first time that the Grade II listed building has been open to the public in ten years.

The event is the result of an arts and business collaboration between Birmingham based gallery TROVE, the Royal Institute of British Architects (RIBA), the Birmingham Architectural Association (BAA), Birmingham City Council and global architect practice Aedas.

It has been funded by The Arts Council, RIBA and Aedas. Alongside the art exhibition there will be an extensive educational programme provided by the BAA and RIBA, including a public debate, heritage tours and a student design competition. 


Ends

For further information visit www.thriftradiateshappiness.com or call:

Jennifer Chatham, Chatham Communications (+44) 7775 912818

Kate Eagle, Aedas

Carina Schneider, RIBA

Notes to editors:

TROVE
TROVE is an independent contemporary art gallery based in Birmingham, UK.  Launched in 2009,  it works with local, national and international artists.  Over the past three years, more than 140 artists have created, exhibition and performed as part of TROVE’s programme.

Exhibitions have taken place at TROVE’s home, the Od Science Museum as well as Curzon Street Station, MAC birmingham, Edible Eastside, DownStairs Gallery, FarGo, The Burlington Fine Art Club, Coexist and ARC.

TROVE works with Aedas Presents, Fierce Festival, Hereford Photography Festival, Hedge Enquiry, Minnie Weisz Studio, Museum of Lost Heritage, The Royal Institute of British Architects (RIBA), Birmingham Architects Association (BAA), Birmingham City Council, Clarke Gallery, Birmingham City University and Crowd 6.



The Royal Institute of British Architects (RIBA)
The Royal Institute of British Architects champions better buildings, communities and the environment through architecture and our members.

The Royal Institute of British Architects champions better buildings, communities and the environment through architecture and our members. We provide the standards, training, support and recognition that put our members – in the UK and overseas – at the peak of their profession.

With government, we work to improve the design quality of public buildings, new homes and new communities.

We also hold one of the largest and most important collections of architectural drawings, photographs and archives| in the world, and stage talks, exhibitions, events| and awards| (including the prestigious RIBA Stirling Prize) that help people see their surroundings in a completely new way.


Aedas
Aedas, a leading international design practice, offers services in architecture, interior design, master planning, landscape, urban design and building consultancy within Asia, the Middle East, Europe and the Americas.

Aedas is a strong supporter of the arts.  In partnership with The Trove Gallery it launched ‘Aedas Presents’ in 2010.
It was founded to support and showcase the work of emerging artists, students and graduates from local universities and colleges and to help them get on the first rung on the career ladder. 

This series has enabled the work of more than 30 artists from West Midlands’ universities and colleges to be showcased to over 2000 of Birmingham’s business and arts community at its Colmore Plaza home.

Key supporters include the Birmingham Institute of Art & Design at University College Birmingham, the Birmingham Library and the Royal Institute of British Architects.


The Birmingham Architectural Association (BAA)
The Birmingham Architectural Association (BAA) aims to bring together the local architectural community – practitioners, academics and students, through organising an annual lecture series and other events to generate debate and discussion on current issues and future trends.

Its events are open to the general public.

The BAA seeks to celebrate and promote excellent architecture within Birmingham and the West Midlands region.

The BAA was formed in 1874 and is the Birmingham branch of the RIBA West Midlands regional office.


The Library of Birmingham
The Library of Birmingham holds one of the UK's national collections of photography. The collection comprises some 3.5 million items ranging from daguerreotypes made at the dawn of the photographic era to digital works made by leading contemporary photographers. The Library of Birmingham, supported by Arts Council England and working in collaboration with local, national and international partners is creating a hub and network for photography and photographers. This new project, called GRAIN, will include research and development projects and a range of ambitious high quality opportunities all aimed to strengthen and sustain photography in the region. The Library of Birmingham is one of the most exciting new developments Birmingham's cultural landscape and the photography hub will make it a national and international centre for photography.




Thursday, 17 January 2013

Thrift Radiates Happiness - press release



Release date:  17th January 2013One of Birmingham’s most historic landmark buildings is set to open its doors to the public for the first time in ten years when it plays host to a captivating four day contemporary arts exposition.

From 13-17 March 2013 the former Grade II listed Municipal Bank on Broad Street will showcase a creative programme of drawings, images, sound and light, video and music from local, national and international artists.

The Municipal Bank was established in the aftermath of the First World War as a savings bank for the citizens of Birmingham. This grandiose building was opened on November 27 1933 by Prince George. It closed its doors in 2001.

The title of the exhibition is Thrift Radiates Happiness. The line has been taken from an inscription found carved across a main beam within the building.  All the art projects featured will appropriately focus on finance and investment.

The showcase event is the result of an arts and business collaboration between Birmingham based gallery TROVE, the Royal Institute of British Architects (RIBA), the Birmingham Architectural Association (BAA), Birmingham City Council and global architect practice Aedas.

Entrance to the exhibition will be free thanks to funding awarded by The Arts Council, RIBA and Aedas.

Alongside the art exhibition there will be an extensive educational programme provided by the BAA and RIBA, including a public debate, heritage tours and a student design competition.  

Marcus Wilkins, studio director at Aedas, said:  “Birmingham has a vibrant architectural community, a remarkable collection of heritage buildings and a thriving arts scene.  These ingredients have been combined to deliver what promises to be a truly unique exhibition of art.

“The value of business and art working together has long been recognised by those working in both sectors. It strengthens creativity, innovation and collaboration, something that Birmingham is reputed for.  Aedas is delighted to be part of it.”

Plans for the exhibition, that will open during the day and evening are well underway.  National and international artists already signed up include Elly Clarke, Tom Crawford, Caitlin Griffiths, Ellie Harrison and Nicole Wilson.

Charlie Levine, director and curator of the TROVE Gallery, added:  “We are assembling an amazing collection of artists for everybody of all ages to enjoy.  There will be areas where visitors will listen, watch, study and participate as well as enjoy the full gravitas of the building itself.  Visitors will discover how art and architecture make a positive difference to our lives and experience first-hand the art of investment

“A key feature of the exhibition is an auction that will take place in the safety deposit box room.  Visitors will be invited to invest £2 to receive a random number for a safety deposit box that will contain a limited edition art print.”

Gavin Orton, regional chair of RIBA West Midlands, added:  “This rich new cultural collaboration will deliver something truly spectacular for Birmingham.  It is a perfect example of Birmingham organisations working together to create a pioneering cultural partnership that will deliver a new chapter of arts activity for the city.

“We are delighted that the Council has allowed us to use this great building to promote arts and architecture in this way. It is a demonstration on how important local buildings can be creatively re-used and re-imagined. The exhibition theme of investment and finance is also highly fitting in a building that has stood the test of at least four major recessions in the last 100 years.

“We hope that this is the first of many exhibitions that this new partnership will deliver for Birmingham and the West Midlands.”

Visit www.thriftradiateshappiness.com

Ends

Pictured:  An internal shot of the bank’s original safety deposit box room

For further information visit www.thriftradiateshappiness.com or call:

Jennifer Chatham, Chatham Communications 

Jennifer@chathamcomms.co.uk

Kate Eagle, Aedas

Kate.eagle@aedas.com 

Carina Schneider, RIBA

Carina.Schneider@riba.org 

CALL OUT FOR GALLERY ASSISTANTS



Unpaid opportunity to work on a unique contemporary art exhibition in the Grade II Listed Municipal Bank building on Broad Street, Birmingham, UK.

Thrift Radiates Happiness is the first art exhibition to ever be held at this heritage site.  We are looking for gallery assistants to invigilate the building during the launch and the 3 days it will be open to the public.

We are looking for enthusiastic and reliable people to join our team.  We would need you to be available between Thursday 14th and Sunday 17th March 2013, all day.  Responsibilities will include:
  • ·      Talking to the public about the show.
  • ·      Looking after the artwork.
  • ·      Making sure the building is well cared for.

An interest in the arts would be a benefit but we are happy to open this opportunity up to anyone who would like to be involved.

Partners on this project include: Aedas Architects, RIBA, Birmingham Architects Association, TROVE, Birmingham City Council, Birmingham Central Library Archives.

If you are interested please send us your CV and a sentence or two why you would like to be on the Thrift Radiates Happiness team.

This would be an incredible opportunity to work with a site rarely open to the public and within new art and architecture partnerships.  It would be a valuable experience if you are an art/architecture student, have an interest in local history or want to get into the creative industries.

Deadline: Sunday 3rd February 2013 5pm

Email Project Assistant Amy for more details and/or to submit your application. 
amy_kirkham91@hotmail.co.uk

For more details about the project please see our website and twitter account:
http://thriftradiateshappiness.com
@TRH_Bham

ARTFETCH - call for submissions


Call for Submissions 



Representing the next generation of leading artists, 
from around the world.
Artfetch is new, Artfetch is different, Artfetch gives selected emerging artists the opportunity to showcase their work online, bringing it to a global audience. 
Should your work be here? 
Artfetch is now accepting submissions from undergrad / post grad students, and recent art college alumni.
Presenting the work of selected emerging artists for sale online, the Artfetch team of specialist cutting-edge curators will choose the most promising to be included and listed for sale on the website. 
How to submit work to Artfetch
Please send to info@artfetch.com:

  • A CV including your date of birth and contact details
  • A one-page artist statement including a short bio, an overview of your practice as a whole and some detail on the works submitted
  • A selection of jpeg images of available works
  • A list of the submitted jpeg images including the medium, year made and dimensions (width x height)




All media accepted. Submissions accepted on a rolling basis. No fee to apply.
Once a submission has been made we will be happy to provide further details on the service offer that will be posed by Artfetch.com to the artist. Note: there is NO fee to apply or participate.
Artfetch is changing the way the world sees art.

Friday, 30 November 2012

Here come the girls


Earlier this year I arrived at a job interview for a contemporary commercial art gallery in London’s West End to be greeted by the slightly shocked faces of the gallery directors.  “Oh,” they said, “we were expecting a man.” 

I have often encountered confusion because of my name.  I have been known as Charlie Levine instead of Charlotte Levine since I was a pre-teen and I saw no reason to change it when beginning my career as a curator.  (Especially in light of there being a Levine Museum in Charlotte, USA – I would have been a nightmare to google!)  I have never previously been aware of this being a problem, until said interview, when I did not get the job as they were “really looking for a man” to fill the Gallery Manager role.

This want for a man to fill the role is nothing new, but the statistics and artist, Hennessey Youngman, say that there are more female curators than male ones.  But is this true?



When considering Birmingham, UK, specifically, men head up the main contemporary art gallery venues.  Jonathan Watkins at Ikon, Craig Ashley (for the visual arts programme) at mac birmingham, Gavin Wade at Eastside Projects and Andrew Bonacina at International Project Space.

I think I need to pose a feminist question here - why women are not in these powerful Director roles, and why do we find ourselves slightly on the outskirts of the decision-making? And is this Birmingham specific? And does it really matter?

In the larger scheme of things, women this year in the visual arts have had a massive impact, particularly Carolyn Christov-Bakargiev, the Artistic Director of dOCUMENTA (13).  Christov-Bakargiev was placed first in ArtReview’s Power 100 list for the success of this year’s festival.  The art journal said “ArtReview is not in the habit of placing a curator at the top of the Power 100 for creating one influential exhibition. In 11 years of listmaking, we have taken the logical position that the influence of biennials, triennials, quinquennials and all the rest of them comes on like a very strong wave that recedes just as fast as the next one arrives. So what’s different about Christov-Bakargiev’s Documenta 13? Aside from being critically lauded and unusually popular – there were an extra 110,000 visitors this year, in comparison to 2007 – how is it more than another big show? A really big show, in fact, that no one could ever hope to see, spanning, as it did, the cities of Kabul, Banff and Alexandria/Cairo after sprawling over Kassel more than ever before, and encompassing screenings, performances, talks, essays, books and disciplines that extend far beyond the field of art. Bearing all this in mind, then, just what was it that made this year’s Documenta so different, so appealing? And what makes its curator, well, so powerful?”

Christov-Bakargiev is clearly doing something right for promoting great visual art as well as the reputation of women in the arts and highlighting the power a curator can potentially posses. From this female inspired power play Hennessey Youngman’s ‘Art Thoughtz’ is seemingly right – it is mostly women leading the way in independent curatorial practices. 

In Birmingham specifically there is myself at TROVE and Aedas Presents, Cheryl Jones leading at Grand Union, Mona Casey who curates ARTicle at BIAD School of Art and SLICE and Sandra Hall the co-director of Friction Arts, and we have all been practising for 5+ years in the city. 

Then there’s Jo Masding at Lombard Method, Caitlin Griffiths of Lamb White, Sonya Russell-Saunders co-director of The Wig, Elly Clarke of Clarke Gallery, Kate Eagle who I work with at Aedas Presents, Cathy Wade leading Hedge Enquiry at Edible Eastside and Abigail Duffty who is the Director of [STATE] performance art night, who have all been producing exhibitions in Birmingham for 2+ years.

And then there are the just on the scene ‘new girls’ Beth Derbyshire, Lizzy Jordan, Kate Livingston, STRYX (all female studio and curatorial group) and current MA Curatorial students Emma Leppington, Prune Phi and Claire Reece.

I should also mention the influential Lara Ratnaraja and Nicola Shipley as two women working with the visual arts in Birmingham in policy making, arts and business advisors, creative consultancy/producers and general advocates for visual arts activity in the city.  Although they are not gallery directors, or straight curators or artists, they care about the visual arts in Birmingham and are incredibly inspirational to my practice.

Birmingham finds itself currently in a cliché – ‘behind every great man (city), there’s a great woman.’  The men in charge of the larger organisations might provide the face of Birmingham’s cultural sector via their more outwardly focused galleries, however, the exciting activity that is happening just under the radar is being led and realised by a vibrant group of women.  

Thursday, 22 November 2012

The problem is the solution


Why is the emphasis always on the problem, rather than actually acting upon a very obvious, and already active, solution?

October 2012 saw Birmingham City Council host its first ever Art Summit.  Cultural organization from all over Birmingham, covering a vast array of creative outputs and agendas came together in the same room.

Though the summit was huge and there was a lot of information put forward and speakers from around the world attended, and a plethora of facts, figures and examples of people who do it better presented, the two day conference can be summarised, actually, quite efficiently. 

Birmingham is honest with itself: it suffers from low self-esteem and there is need for more crossover partnership work to expose new funding streams and opportunities in and out of the region/country, especially in terms of finding cash to make projects happen.

What I found quite interesting about this summit was that this activity is already underway in the city.  Small organizations and independent art facilitators have partnered to realise and work through Birmingham’s so-called ‘creative sector problems.’

Projects like Aedas Presents, which combines a local independent curator and the largest global architect firms Birmingham office.  These two partners have, since 2010, realized an 18 month contemporary art exhibition programme in the Aedas studio; they have sold works, commissioned new pieces and given early career and recent graduate artists their first solo show opportunity.  The team have partnered with Birmingham City University on several projects, worked with second year fine art students through offering internships and crossed over audiences from the arts and business sectors. 

Aedas Presents are also ever growing.  Their next project will be hosted in the Grade II Listed Municipal Bank building in Birmingham.  Continuing their relationship with me, an independent curator, this project is also being partnered by the Royal Institute of British Architects (RIBA), the Birmingham Architects Associations (BAA), the Birmingham City Council (BCC) and the new Library of Birmingham.  

This is an example of the arts and business sectors already working together to produce a high class, important contemporary arts exhibition in a building of great Birmingham (and UK) heritage.  This project, Thrift Radiates Happiness, aims to shout about Birmingham as a city and highlight its incredible history and importance to the country as a whole.  It also stands up and exclaims that a group of people saw the problem with Birmingham and came together to provide the solution.  Thrift Radiates Happiness is more than an exhibition in a great building; it’s showcasing Birmingham’s potential and proving that arts and business sectors can work together.

Another project currently making waves in Birmingham is FRAME_Birmingham, a project led by artist/curator, Elly Clarke.  Clarke moved to Birmingham two years ago from Berlin. She instantly saw what Birmingham was missing and went about shaking things up in the creative and business sectors in Birmingham.  FRAME_ works on a simple concept – art in places you already go to.  Clarke has broken down the barrier of trying to get people into art venues; she is taking the art directly to new audiences.  40+ international artists in 30+ venues for 3 months around Birmingham city centre, the venues include coffee shops, hotels, churches, clothes shops, nail bars and more.  Accessing these venues was done on a face-to-face, walk in method.  Elly and her (very) small team would walk into venues, tell them about the project and leave (most of the time) with that venue agreeing and wanting to be part of the project. 

All the works in the project are for sale and for no more than £750.  This project is being partnered by mac birmingham and the Arts Council initiated ‘Own Art’ scheme and has literally blown the doors off art institutions and the process of how you see and buy contemporary art works.

It is easy to throw around phrases like ‘new models for selling art’ or ‘re-thinking a commercial art scene’ but what Elly Clarke has done is make it simple, “splendid art in places you already go.”  Birmingham and people that visit it love to shop.  Clarke has put art in those venues.  Simple.

Both FRAME_ and Thrift Radiates Happiness are examples of cross partnership activity already happening in the city of Birmingham.  Independent curators are already working in partnership with the corporate world, and are doing so successfully and with pride and passion.  The questions and problems that arose from the Birmingham Art Summit are outdated and unrealistic when you look at the grass routes projects.  The questions, therefore, should be – why are the larger institutions and organizations with the bigger voices (and marketing budgets) not also partaking in this activity? Why are they not working alongside the independent curators and facilitators to help shout about the possibilities Birmingham has? And why is the emphasis always on the problem, rather than actually acting upon a very obvious, and already active, solution?

Monday, 12 November 2012

Proxy by MadeScapes^


Proxy
MadeScapes^

Preview: 7th December 2012 6-8pm

Open by appointment between 8th – 20th December 2012
email TROVE info@TROVE.org.uk
for further information

TROVE, Newhall Square,
Off 144 Newhall Street,
Birmingham, B3 1RY

TROVE.org.uk
madescapesnews.tumblr.com               


This December, TROVE presents Bristol based art collective, MadeScapes^.

Proxy is an exhibition that showcases MadeScapes^ practice for presenting brightly illuminated collaborative installations. They combine traditional materials with the inspiration they take from growing up during the mass use and production of digital culture.  These are then constructed into isolated sequences of objects, colour and light.

Proxy highlights a fragmentation that appears as a result of twenty-first century narratives as we - the first generation of digital natives - come of age. We construct this exhibitions story, around and through its interactions with the screens and surfaces of mass culture.  We depict each structure as pixels and combine them to create the whole.  Relics and ideas from the past, present and future are combined and looped, and we navigate our way around them. 


MadeScapes^ are made up of Jack Addis, Alex Cotterell, Tom Johnson, Will Kendrick, Trevor Smith and Lewk Wilmshirst.